This is the first collection written by an Aboriginal Canadian on the Aboriginal understanding of history and the colonial experience. These essays, stories, lectures, and poems, written over the last twenty years by Georges Sioui, present and explore the perspectives of the Huron-Wyandot people on the place of Aboriginal people in Canada, in the world, and in history.
Bilingual Edition.
La danse offre un espace-temps qui permet de regarder, étudier et comprendre l'humanité. Elle dévoile des corps, avec leurs blessures mais aussi leurs forces. La danse permet de penser | panser différemment et, ainsi, d'ouvrir de nouvelles perspectives. Cet ouvrage s'adresse aux acteurs appartenant aux différents milieux d'intervention et de recherche, d'enseignement et de formation, de même qu'aux danseurs, danse-thérapeutes et art-thérapeutes qui sont confrontés dans leur pratique aux problématiques de résilience et de justice sociale.
Dance offers a space-time that enables us to look at, study, and understand humanity. It exposes bodies, their wounds as well as their strengths; it is a means of reflecting l recovering differently, opening a window onto new perspectives. This work is intended for stakeholders in various fields of intervention and research, education, and training, as well as for dancers, dance therapists, and art therapists who deal with issues of resilience and social justice in their practice.
Édition bilingue.
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Dance offers a space-time that enables us to look at, study, and understand humanity. It exposes bodies, their wounds as well as their strengths; it is a means of reflecting l recovering differently, opening a window onto new perspectives. This work is intended for stakeholders in various fields of intervention and research, education, and training, as well as for dancers, dance therapists, and art therapists who deal with issues of resilience and social justice in their practice.
La danse offre un espace-temps qui permet de regarder, étudier et comprendre l'humanité. Elle dévoile des corps, avec leurs blessures mais aussi leurs forces. La danse permet de penser | panser différemment et, ainsi, d'ouvrir de nouvelles perspectives. Cet ouvrage s'adresse aux acteurs appartenant aux différents milieux d'intervention et de recherche, d'enseignement et de formation, de même qu'aux danseurs, danse-thérapeutes et art-thérapeutes qui sont confrontés dans leur pratique aux problématiques de résilience et de justice sociale.
Bilingual edition.
The Symons Medal, one of Canada's most prestigious honours, recognizes an individual who has made an exceptional contribution to Canadian life.
The award evening affords the distinguished recipient the opportunity to discuss the current state and the future of the Canadian Confederation.
The Honourable Bob Rae is the 2020 awardee, in recognition of his many years of work on humanitarian issues, most recently the Rohingya refugee crisis, as well as his commitment to Indigenous issues and his decades of public service and teaching. He has always been deeply involved in the political life of Canada-as a member of Parliament, former premier of Ontario, and interim leader of the federal Liberal Party.
Bob Rae, the twentieth recipient of the Symons Medal, devotes his lecture, titled Learning from the Past, Imagining the Future: Reflections from a Political Life, to exploring such themes as Canada's improbable origins as a nation, post-war emergence onto the global stage, active membership within the United Nations, and the significance of the ever-evolving Canadian constitution-a "living tree document."
Learning from the Past, Imagining the Future extends the access to this inspiring lecture from a key contributor to the Canadian nation.
The Symons Medal, one of Canada's most prestigious honours, recognizes an individual who has made an exceptional contribution to Canadian life.
The award evening affords the distinguished recipient the opportunity to discuss the current state and the future of the Canadian Confederation.
The Honourable Bob Rae is the 2020 awardee, in recognition of his many years of work on humanitarian issues, most recently the Rohingya refugee crisis, as well as his commitment to Indigenous issues and his decades of public service and teaching. He has always been deeply involved in the political life of Canada-as a member of Parliament, former premier of Ontario, and interim leader of the federal Liberal Party.
Bob Rae, the twentieth recipient of the Symons Medal, devotes his lecture, titled Learning from the Past, Imagining the Future: Reflections from a Political Life, to exploring such themes as Canada's improbable origins as a nation, post-war emergence onto the global stage, active membership within the United Nations, and the significance of the ever-evolving Canadian constitution-a "living tree document."
Learning from the Past, Imagining the Future extends the access to this inspiring lecture from a key contributor to the Canadian nation.
How are older learners faring in today's digital society? Are they being excluded or left behind? The author explores this question and investigates strategies needed to assist older learners who want to continue learning into their golden years. Canada's demographics are shifting, with more seniors living longer and leading more productive lives, notably through their participation in education.
Incorporating adult education theory and practice with gerontological statistics and literature, the author considers the situations of older learners, who are faced with both barriers and opportunities. Technology should not be an obstacle to older learners; when potential opportunities arise-and with assistance from family and friends-education can help set older learners on a fulfilling path that enhances their lives.
En 1979, Jean-François Lyotard a articulé la condition postmoderne, annonçant la fin de la modernité. Mais la modernité nous tient encore et se réinvente dans des nouvelles périodisations. Il nous incombe de reprendre la réflexion sur ce paradigme à la fois historique, culturel et social, et ceci, à partir de notre condition de « puînés » de la modernité. Tel est le programme de réflexion de cet ouvrage collectif qui privilégie une approche interdisciplinaire et internationale.
Over the past century and a half, Canadian archaeology rehabilitated large portions of a history once thought to be lost beyond recovery. This book is among the first to document and analyze the growth of archaeology in Canada.
This book, first published as Quand la nation débordait les frontières (Hurtubise HMH, 2004), is considered the most comprehensive analysis of Lionel Groulx's work and vision as an intellectual leader of a nationalist school that extended well beyond the borders of Québec. Recipient of the 2005 Governor General's Literary Award in non-fiction, the original French edition also won the Michel-Brunet Award (Institut d'histoire de l'Amérique française), the Prix Champlain (Conseil de la vie française en Amérique), and a medal awarded by the Québec National Assembly. It was also shortlisted for the Jean-Charles-Falardeau Award (Fédération canadienne des sciences humaines du Canada) and the City of Ottawa Book Award. For over five decades, historians and intellectuals have defined the nationalist discourse primarily in territorial terms. In this regard, Groulx has been portrayed-more often than not-as the architect of Québécois nationalism. Translated by Ferdinanda Van Gennip, A Nation Beyond Borders will continue to spark debate on Groulx's description of the parameters of the French-Canadian nation. Highlighting the often neglected role of French-Canadian minorities in his thought, this book presents the Canon as an uncompromising advocate of solidarity between all French-Canadian communities.
Born into poverty in Japanese-occupied Taiwan, Ruey Yu overcame near-starvation during the Second World War. Destiny, however, had other plans for him: he was to become an award-winning biochemist, then the co-founder of what would soon become the multi-million-dollar skin care company NeoStrata.
After living through the Second World War and the post-war military dictatorship of General Chiang Kai-Shek, Dr. Yu won a coveted post-graduate scholarship to study chemistry at the University of Ottawa. He subsequently took up a research position at the renowned Skin and Cancer Hospital (Temple University) in Philadelphia, where he collaborated with pre-eminent dermatologist Dr. Eugene Van Scott to develop treatments for serious skin diseases.
In 1972, Dr. Yu and Dr. Van Scott discovered that fruit acids, known as AHAs, could effectively treat the disfiguring skin disease ichthyosis, changing the lives of thousands of people who suffered from this debilitating illness. Their further research into the biochemical properties of AHAs led to the discovery of the anti-wrinkle and anti-aging effects of these natural substances-a discovery that was licensed by skin care companies around the world, sparking the multibillion-dollar cosmeceutical industry.
Discussing illegal drugs without taking into account its criminal context is a difficult proposition. Certain questions come back repeatedly: Does doing drugs really lead to delinquency? Do some drugs have criminal properties? Why would a drug addict turn to crime? What are the best methods of intervention in dealing with individuals who have serious drug habits? The third edition of Drogue et criminalité : Une relation complexe (Les Presses de l'Université de Montréal), translated here for the first time in English, presents an overview of the complex relationship between drugs and crime, avoids cursory affirmations to the effect that psychoactive substance use necessarily leads to crime. It also sheds light on the political and legislative contexts tied to drugs and offers an exceptional synthesis of the research literature of the past 20 years. The authors also discuss the increased attention to illegal drug users and people with addictions and describe the different supports that are available to them.
Published in English.
Eminent Northrop Frye scholar Robert D. Denham explores the connection between Frye and twelve writers who influenced his thinking but about whom he didn't write anything expansive. Denham draws especially on Frye's notebooks and other previously unpublished texts, now available in the Collected Works of Frye. Such varied thinkers as Aristotle, Lewis Carroll, Søren Kierkegaard, and Paul Tillich emerge as important figures in defining Frye's cross-disciplinary interests. Eventually, the twelve "Others" of the title come to represent a space occupied by writers whose interests paralleled Frye's and helped to establish his own critical universe.
Great poets like Shelley and Goethe have made the claim that translating poems is impossible. And yet, poems are translated; not only that, but the metrical systems of English, French, Italian, German, Russian and Czech have been shaped by the translation of poems. Our poetic traditions are inspired by translations of Homer, Dante, Goethe and Baudelaire. How can we explain this paradox?
James W. Underhill responds by offering an informed account of meter, rhythm, rhyme, and versification. But more than that, the author stresses that what is important in the poem-and what must be preserved in the translated poem-is the voice that emerges in the versification.
Underhill's book draws on the author's translation experience from French, Czech and German. His comparative analysis of the versifications of French and English have enabled him to revise the key terms involved in translating the poetic voice and transposing the poem's versification. The theories of versification from the Prague School of Linguistics, the French and Swiss schools of versification, and recent scholarship in metrics and rhythm in the UK and in the USA have been integrated into this synthetic but rigorously coherent approach to translating poems. The extensive glossary at the end of the book will prove useful for both students and teachers alike. And the detailed case studies on translating poems by Baudelaire and Emily Dickinson allow the author to categorize and appraise the various poetic and aesthetic strategies and theories that are brought to bear in translating Baudelaire into English, and Dickinson into French.
It is imperative that we train leaders who are able to intervene efficiently with service users and to support a better organization of the workplace. It is especially important to look at the many issues related to postsecondary training and human resources, such as recruiting and keeping these leading professionals. Accessibility and Active Offer thus combines theory and empirical data to help future professionals understand the workplace issues of accessibility and active offer of minority-language services.
This English-language adaptation of Accessibilité et offre active features an additional chapter by Richard Bourhis on issues specific to Anglophone communities in Québec.
This multidisciplinary collective work is the first to unite researchers in health, social work, sociology, political science, public administration, law and education, in order to gain more thorough knowledge of linguistic issues in health and social services, as well as of active offer of French-language services.
Published in English, with a French counterpart.
In the fight against zombies, our most important weapons are our brains. It's time to unleash them. Think you know a thing or two about zombies? Think again. If you're going to keep your wits - and your brains - about you during a zombie attack, you need expert advice. Braaaiiinnnsss!: From Academics to Zombies gathers together an irreverent group of scholars and writers to take a serious look at how zombies threaten almost every aspect of our lives. Spawned from the viral publication "When Zombies Attack!: Mathematical Modelling of an Outbreak of Zombie Infection," this multidisciplinary book draws on a variety of fields including biology, history, law, gender studies, archaeology, library science and landscape architecture. Part homage to zombie films and fiction, part cultural study, this collection humorously explores our deep-seated fear of the undead. Engaging and accessible, Braaaiiinnnnssss! will amuse academics and zombie fans alike. Published in English.
The articles in this collection, written by medievalists and Renaissance scholars, are part of the recent "cultural turn" in translation studies, which approaches translation as an activity that is powerfully affected by its socio-political context and the demands of the translating culture. The links made between culture, politics, and translation in these texts highlight the impact of ideological and political forces on cultural transfer in early European thought. While the personalities of powerful thinkers and translators such as Erasmus, Etienne Dolet, Montaigne, and Leo Africanus play into these texts, historical events and intellectual fashions are equally important: moments such as the Hundred Years War, whose events were partially recorded in translation by Jean Froissart; the Political tussles around the issues of lay readers and rewriters of biblical texts; the theological and philosophical shift from scholasticism to Renaissance relativism; or European relations with the Muslim world add to the interest of these articles. Throughout this volume, translation is treated as a form of writing, as the production of text and meaning, carried out in a certain cultural and political ambiance, and for identifiable - though not always stated - reasons. No translation, this collection argues, is an innocent, transparent rendering of the original.
This is a collection of the published and previously unpublished short stories by Thomas Murtha, a Canadian writer born and raised in Ontario. Murtha was one of the notable experimental writers of the 1920s, but his work has been largely ignored by literary historians. Thomas Murtha was a classmate and colleague of other notable Canadians including former prime minister Paul Martin, Morley Callaghan, and Raymond Knister. Callaghan, Murtha, and Knister greatly influenced each others' work. Complete with a biographical introduction from Murtha's son, William, this collection provides insight into the work and life of one of Canada's most talented writers.
From the Canadian Short Story Library, twelve stories from Desmond Pacey, a major figure in Canadian Literature and criticism. The twelve stories are typical of Pacey's story-telling technique and what emerges from them is a distinctive, even powerful optimism, charity, tolerance and deep understanding of human nature. The sombre side of life is honestly portrayed and juxtaposed against the importance of love as a unifying force. These stories, presented in a simple straightforward manner, reveal man as he is: fragile, vulnerable, capable of crude, selfish and irrational behaviour, subject to defeat and despair; but also, heroic, enlightened, capable of strength, wisdom, hope and joy.
Personal data is increasingly being exchanged and stored by electronic means, making businesses, organizations and individuals more vulnerable than ever to identity theft and fraud. This book provides a practical and accessible guide to identity theft and fraud using a risk management approach. It outlines various strategies that can be easily implemented to help prevent identity theft and fraud. It addresses technical issues in a clear and uncomplicated way to help decision-makers at all levels understand the steps their businesses and organizations can take to mitigate identity theft and fraud risks. And it highlights the risks individuals face in this digital age. This book can help anyone - businesses and organizations of all sizes, as well as individuals - develop an identity theft and fraud prevention strategy that will reduce their risk and protect their identity assets.
To date, little has been written on identity theft and fraud with a Canadian audience in mind. This book fills that gap, helping Canadians minimize their identity theft and fraud risks.
This work underscores the need to examine history philosophically, not only to better appreciate how it unfolds and relates to our own unfolding lives, but to better appreciate our free engagement in this changing world. Linking a conception of ourselves as free beings to the historical process was of central importance to the classical speculative philosophies of history of the nineteenth century, most notably Hegel's. Michel Foucault's work is often taken to be the antithesis of this kind of speculative approach.
This book argues that Foucault, on the contrary, like Hegel, sees freedom as tied to the self-movement of thought as it realizes and shapes the world. Unlike Hegel, however, he does not see in that self-movement the process of Spirit reconciling itself with the world and thereby realizing itself as freedom. Rather, he sees in the freedom at the core of the self-movement of thought a possible threat around which that movement consolidates itself and gives shape to the world.
Foucault's work is therefore not a simple rejection of Hegel's speculative philosophy of history, but rather an inversion of the manner in which history and freedom are related: for Hegel history realizes or actualizes the "idea" of freedom, whereas for Foucault freedom realizes or actualizes the "materiality" of history.
When Hermes handed over to Apollo his finest invention, the lyre, in exchange for promotion to the status of messenger of the gods, he relinquished the creativity that gave life to his words.
The trade-off proved frustrating: Hermes chafed under the obligation to deliver the ideas and words of others and resorted to all manner of ruses in order to assert his presence in the messages he transmitted. His theorizing descendants, too, allow their pretentions to creatorship to interfere with the actual business of reinventing originals in another language.
Just as the Hermes of old delighted in leading the traveller astray, so his descendants lead their acolytes, through thickets of jargon, into labyrinths of eloquence without substance.
Charles Le Blanc possesses the philosophical tools to dismantle this empty eloquence: he exposes the inconsistencies, internal contradictions, misreadings, and misunderstandings rife in so much of the current academic discourse en translation, and traces the failings of this discourse back to its roots in the anguish of having traded authentic creativity for mere status.
There can be little dispute that culture influences philosophy: we see this in the way that classical Greek culture influenced Greek philosophy, that Christianity influenced mediaeval western philosophy, that French culture influenced a range of philosophies in France from Cartesianism to post-modernism, and so on.
Yet many philosophical texts and traditions have also been introduced into very different cultures and philosophical traditions than their cultures of origin - through war and colonialization, but also through religion and art, and through commercial relations and globalization. And this raises questions such as: What is it to do French philosophy in Africa, or Analytic philosophy in India, or Buddhist philosophy in North America?
This volume examines the phenomenon of the `migration' of philosophical texts and traditions into other cultures, identifies places where it may have succeeded, but also where it has not, and discusses what is presupposed in introducing a text or a tradition into another intellectual culture.
This volume comprises a reprinting and gloss of the original text of the 1933 Communist play Eight Men Speak. The play was banned by the Toronto police after its first performance, banned by the Winnipeg police shortly thereafter and subsequently banned by the Canadian Post Office. The play can be considered as one stage-the published text-of a meta-text that culminated in 1934 at Maple Leaf Gardens when the (then illegal) Communist Party of Canada celebrated the release of its leader, Tim Buck, from prison. Eight Men Speak had been written and staged on behalf of the campaign to free Buck by the Canadian Labour Defence League, the public advocacy group of the CPC. In its theatrical techniques, incorporating avant-garde expressionist staging, mass chant, agitprop and modernist dramaturgy, Eight Men Speak exemplified the vanguardist aesthetics of the Communist left in the years before the Popular Front. It is the first instance of the collective theatrical techniques that would become widespread in subsequent decades and formative in the development of modern Canadian drama. These include a decentred narrative, collaborative authorship and a refusal of dramaturgical linearity in favour of theatricalist demonstration. As such it is one of the most significant Canadian plays of the first half of the century, and, on the evidence of the surviving photograph of the mise-en-scene, one of the earliest examples of modernist staging in Canada. - This book is published in English.
Following the metaphysical and epistemological threads that have led to our modern conception of the body as a machine, the book explores views of the body in the history of philosophy. Its central thesis is that the Cartesian paradigm, which has dominated the modern conception of the body (including the development and practice of medicine), offers an incomplete and even inaccurate picture. This picture has become a reductio ad absurdum, which, through such current trends as the practice of extreme body modification, and futuristic visions of downloading consciousness into machines, could lead to the disappearance of the biological body. Presenting Spinoza's philosophy of the body as the road not followed, the author asks what Spinoza would think of some of our contemporary body visions. It also looks to two more holistic approaches to the body that offer hope of recovering its true meaning: the practice of yoga and alternative medicine. The metaphysical analysis is accompanied throughout by a tripartite historical and epistemological analysis: the body as an obstacle to knowledge (exemplified by Plato and our modern-day futurists), the body as an object of knowledge (exemplified by Descartes and modern scientific medicine); and the body as a source of knowledge (exemplified by the Stoics, and the philosophy of yoga).
- This book is published in English.
Swinging the Maelstrom is the story of a musician enduring existence in the Bellevue psychiatric hospital in New York. Written during his happiest and most fruitful years, this novella reveals the deep healing influence that the idyllic retreat at Dollarton had on Lowry. This long-overdue scholarly edition will allow scholars to engage in a genetic study of the text and reconstruct, step by step, the creative process that developed from a rather pessimistic and misanthropic vision of the world as a madhouse (The Last Address, 1936), via the apocalyptic metaphors of a world on the brink of Armageddon (The Last Address, 1939), to a world that, in spite of all its troubles, leaves room for self-irony and humanistic concern (Swinging the Maelstrom,1942-1944).
